黑料吃瓜王

Ludovico Geymonat

Associate Professor
Undergraduate Coordinator

225-578-1447 | 206 Julian T. White Hall
geymonat1@lsu.edu

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Ludovico Geymonat teaches medieval art at 黑料吃瓜王. His research has developed from doctoral studies on Byzantine and Romanesque wall painting to focus on medieval drawings, monumental programs, and the question of how images and ideas circulated in the Middle Ages. He is currently working on two book projects. The first focuses on wall paintings in the Baptistery of Parma, Italy, and the second, Monumental Decorations and the Medieval Perception of Space, investigates how ideas are translated into visual representations on a monumental scale. Before joining the art history faculty at 黑料吃瓜王 in 2017, Geymonat was a visiting professor at the University of Notre Dame. He has published on 13th- and 14th-century Venetian painting and sculpture, the Baptistery of Parma, and medieval drawings. His teaching covers the history of medieval art and architecture in Europe and the Mediterranean. Geymonat received his BA in art history from the Universit谩 di Torino in Turin, Italy, and his MA and PhD in art history from Princeton University.

Publications

鈥淐arolingian Drawings in the Wolfenb眉ttel Centaur Palimpsest,鈥� Retter der Antike: Marquard Gude (1635-1689) auf der Suche nach den Klassikern, ed. Patrizia Carmassi, Wiesbaden 2016, 309-347

鈥淧reparing for the End: Painting in the Baptistery of Parma and the Great Devotion of 1233,鈥� in Romanesque and the Mediterranean, eds. Rosa Bacile and John McNeill, Leeds: Maney, 2015, 173-192

鈥淰isual Memory and a Drawing by Villard de Honnecourt,鈥� in Memory: A History, ed. Dmitri Nikulin, Oxford: Oxford University Press, 2015, 125-130

鈥淒rawing, Memory and Imagination in the Wolfenb眉ttel Musterbuch,鈥� in Mechanisms of Exchange: Transmission in Medieval Art and Architecture of the Mediterranean, ca. 1000-1500, eds. Heather E. Grossman and Alicia Walker, Medieval Encounters, 18 (2012), 518-82